I am a designer and strategist interested in how design can mitigate the social issues associated with poverty, education, healthcare and nutrition.
I am a designer and strategist interested in how design can minimize the effects of poverty in modern society. I have been an instructor of design at the VCU School of the Arts and the VCU Robertson School of Media and Culture. Currently I am teaching design thinking and entrepreneurship in the VCUarts Center for the Creative Economy. My interest in design comes from its practical application in the real world. I like beautiful things, and I like for them to work well, so design is the best way forward.
In 2007 I founded Wide Open Air Consulting & Design, a design firm focused on service to customers and clear communication. I like coming up with creative solutions to problems, especially if they make life a little more bearable for even one person. My firm has done print, digital, branding, packaging, interaction, UI/UX and even some illustration and product development. We like design, no matter what shape it takes.
Before moving to Virginia to complete a doctorate focused on design, I was an instructor of journalism and taught courses in layout and design, photojournalism and magazine management from 2007-2011 at the University of Mississippi. I still serve as the associate director of the Magazine Innovation Center there as well. I co-authored a book with my good friend Samir Husni in 2010 called Design Your Own Magazine, which deconstructs the process of magazine design into 15 simple steps. I am the co-editor of The Roads of Broken Dreams, the Robert Kennedy Award winning publication about the shrinking communities of the Mississippi Delta. And as Chief Marketing Officer for Masato Pearls, I used my design thinking chops to help launch an international pearl company.
I hold a master's degree in journalism from the University of Mississippi and am just shy of graduating Virginia Commonwealth University with an interdisciplinary PhD in Media, Art and Text. My dissertation is about how we understand the role of graphic design in culture creation in the twentieth century. The short of it: we finally saw the power of what we do, and we had a lot of growing pains in the process.
Seasoned designer, art director and professor, experienced in design thinking methodology and graphic design theory and history.
I teach courses that help art students navigate the growing world of the creative economy. My courses examine the contribution of creative ideas to the world economy with a focus on where, how and why creative ideas are produced and consumed. The VCUarts Center for the Creative Economy promotes the creative economy as a post-disciplinary, collaborative force that disrupts status quo in order to drive innovation and new business models around the world.
As a manager of a team of designers, I am responsible for ideation, development and final deliverables.
As the board president, I am in charge of managing the Executive Board as well as the Board of Directors. With a $15,000 annual budget, I am charged with delegating responsibilities to plan and facilitate regional events that promote, enhance and enrich design in central Virginia. During my tenure, programming has doubled and our budget has increase by nearly 50%. We held a nationally acclaimed one-day conference for design entrepreneurs and are in the planning stage for a spring conference for in-house creatives.
I taught courses in graphic design ranging from print to digital and graduate seminars. My courses examined a designer's role within and as an agent of culture. Design was taught through a historical lens that reminded students that the tools, processes, and theories that are a part of design practice are not new and did not develope within a vacuum.
Storefront for Community Design is Richmond, Virginia's community design center. Founded and assisted by a dedicated group of public servants, architects, designers and planners, Storefront is an open resource to any individual, community, neighborhood, organization or business in Richmond, and matches design talent with design needs through four programs directed by staff, but supported largely by a growing network of volunteer consultants.
As a design consultant, I have worked with small businesses and non-profit to provide design skills to organizations that may not have the budget for top-notch design. Through this pro-bono work, Storefront reinforces their belief that all businesses and organizations deserve high quality design, regardless of their budget.
As a design mentor, I have worked with groups of students to direct their work with local clients. By lending my time, I am able to provide direction and feedback for the projects they are volunteering on.
The Education Director promotes and expands regional student and faculty participation in the design community, serving as a liaison between AIGA National, AIGA Richmond, the Student Group and their Faculty Advisors, and design educators themselves.
My top 3 responsibilities included:
• coordinating Faculty Advisors and their Student Groups, and arranging activities like Student Meet'n'Greets (to introduce AIGA Richmond), portfolio review, studio tours, and related educational activities;
• working with the Student Liaison to track Student Group activities, events and needs, then report findings to Board at monthly Board Meetings;
• promoting collaboration between schools.
I taught classes in media production and entrepreneurial publishing. My courses focused on connecting design to the real world through entrepreneurial business practices.
I advised undergraduate students on matters of scheduling and curriculum. During this time I streamlined the advising process for the largest major on VCU's campus reducing redundant hours by half.
As the associate director of the Magazine Innovation Center, I serve as a member of the Board of Directors and help plan annual conferences. Each year a conference is held to discuss the importance of print media and what innovations help make it a more viable product in a changing marketplace.
I taught classes in publication design, web design and photography. The concentration I taught in focused on journalism as an entrepreneurial actiity with design at its core. Websites, magazines, and books were all seen as central offerings of new business ventures.
Over the course of four years I provided visual consulting and art direction toward the development of websites and applications. With clients ranging from government and non-profits to educational foundations and for-profit private businesses, my work was in visual design, UI/UX development and non-CMS web design.
At Wide Open Air we take pride in telling people that we actually do have jobs we love. As designers, we get to play with paper, smell ink, design websites, and help launch new brands, but most of all, we get to come alongside friends and neighbors to creatively solve problems. As the center of design, problem solving is what we do, sometimes we just call it different things: digital, print, branding, whatever. Regardless of the name, we love using research and creativity to solve problems.
As an independent design shop, we prefer coming along side clients rather than directing or commanding a certain design direction. We know that the design we facilitate and implement should create an experience with your audience and customers that communicates the passion you have for your business. And with a deep focus on researching the problem before listing possible solutions, we make sure that the choices we help you make are informed and insightful.
Our process is guided by simple concepts like honesty and openness and always follows four steps: Strategy & Research, Creative Exploration & Design Development, Production Management & Implementation, Outcome & Evaluation.
As an instructor at the Dow Jones News Fund Summer Institute, I spent my summers teaching design workshops to high school students and faculty. As a part of each workshop students were taught the basics of the design production by utilizing a workflow that began with photo editing in Photoshop and continued through vector illustration in Illustrator and ended with final design in InDesign. By the end of each week, students and faculty were well-versed and sent back to their schools to work in newspapers, yearbooks, television stations or other creative outlets on their campus.
Degrees, certificates, and professional development.
Ph.D. in Media, Art and Text with a focus on graphic design.
MA (Honors Fellow) in Journalism with a focus on entrepreneurial publishing and communication design.
BA (Summa Cum Laude) in Journalism with a focus on entrepreneurial publishing and communication design.
Storytelling for Influence
Insights for Innovation
D-Crit Summer Intensive on Design Writing and Criticism, New York, New York
Presenting Data and Information, Washington, D.C.
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Grants, fellowships, and awards.
VCUarts Adjunct Faculty Research Grant - Human-Centered Design Training with IDEO
MoMA Summer Research Appointment - The Good Design Program at MoMA
VCU Humanities Center Fellow
2013 - 2014
VCU Humanities and Science Need Grant - The Designs of Shape Note Singing
Gold Ink Awards Silver Medal - Samir Husni's Guide to New Magazines, 26th Ed.
Art Director, 2012
The Associated Press Pacemaker Finalist - The Ole Miss Annual
Faculty Advisor, 2011
The Columbia Scholastic Press Association Silver Crown - The Ole Miss Annual
Faculty Advisor, 2011
Gold Ink Awards Silver Medal - Samir Husni's Guide to New Magazines, 25th Ed.
Art Director, 2011
Robert F. Kennedy Award - The Roads of Broken Dreams
Yoknapatawpha Arts Council Grant - Project Viewpoint
Professional, academic, and research organizations.
Books, papers, exhibitions, and lectures.
Selected projects in art direction, branding, web design, interaction design, and UI/UX.
For a complete listing, check out my profile on Behance.